This article is in partnership with Coach. The items featured were selected from Coach because we love them and we think you might like them at these prices. If you buy something through our links, E! makes a commission on your purchase. Prices are accurate as of publish time. Items are sold by retailer, not E!. Happy Pride Month, everyone! To celebrate LGBTQIA+ communities everywhere, Coach dropped their brand new Pride Collection for 2022, which features vibrant pieces you'll want to wear all month long and beyond.

The talk show life continues for Fat Joe as he recently chatted with Kehlani for his Instagram Live series The Fat Joe Show. The rapper and the R&B singer chopped it up about a variety of music-related topics while also touching on Kehlani's personal life. She spoke about her rise in the music scene and being involved in the industry for five years now, and Joe wanted to know who the Bay Area artist would place in her Top 5 list of R&B singers.

Minn. Man Tried to Stab Girlfriend, But Missed and Killed Her Son Skip to content ncG1vNJzZmiolaS9rbGNnKamZ5Ontq6xjqagp6Zdoq6vedOroJ6cXajBoq6MoKCrpJantqa6w2abrqqZo7RusM6mnKysmZh6oq7UrJxmoZ6YtqWxza1kpqGjqLKlecqio6WdlGLAsLqMampmoZ6owaatw2g%3D

Movies How old were the recent Spider-Man actors — Tobey Maguire, Andrew Garfield, and Tom Holland — when they began playing Marvel's famous web-slinger? Published on March 1, 2020 2 min read Within the last two decades, three actors have taken on Marvel’s iconic web-slinger. Tobey Maguire’s depiction still holds its own among Spider-Man comparisons, while Andrew Garfield boasts a select group of admirers, who often claim his Spidey persona was spot-on.

MoviesReviewA staggeringly good opening set piece is the high point of Romain Gavras’s gritty thriller about police racism Romain Gavras’s new drama-thriller is about racism, violence and injustice in the Paris banlieues – broadly in the tradition of Mathieu Kassovitz’s La Haine and Ladj Ly’s Les Misérables. It’s spectacular and immersive, with a sensational opening. But it gets bogged down in its own one-note, one-tempo uproar and open-ended parkour camerawork – impressive though that is – and suffers from a number of sneaky false-flag get-out clauses that feel like a cop-out.